Balkrishna Doshi. Courtesy of The Pritzker Architecture Prize/Vastushilpa Foundation via AP [The Associated Press]
Ahmedabad, India – Balkrishna Doshi, a 90-year-old architect, is the first Indian to win the Pritzker Prize, the highest accolade in architecture.
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The jury citation has lauded Doshi for architecture that “has created an equilibrium and peace among all the components – material and immaterial”.
It refers to “the poetic and philosophical underpinnings” of his work.
Doshi is the first Indian to win the $100,000 award – established by the Pritzker family of Chicago – in its 40-year history.
Doshi was born in Pune, in the Indian state of Maharashtra on August 26, 1927, into an extended Hindu family that had been involved in the furniture industry for two generations.
He began studying architecture in 1947. He lived in London and Paris working with iconic architect Le Corbusier before returning to India.
Doshi’s practice, Vastushilpa Foundation, boasts of more than 100 projects that includes low-income housing projects, private residences, public spaces and galleries.
“With an understanding and appreciation of the deep traditions of India’s architecture, he united prefabrication and local craft and developed a vocabulary in harmony with the history, culture, local traditions and the changing times of his home country India,” according to the Pritzker Prize jury citation.
Al Jazeera spoke to him in Ahmedabad.
Al Jazeera: What inspires you? Which artists or works of art inspired you?
Balkrishna Doshi: Life [chuckles]. There are many. I am inspired by India’s cities and towns where I travelled a lot, like Benares, south Indian temples [and] the old parts of the city of Ahmedabad.
One of the most inspiring monuments that have had an impact on me is Fatehpur Sikri in northern India.
The works of great architects, in Europe and America, also inspire me.
Al Jazeera: What does architecture mean to you?
Doshi: Celebrating life. When you are in a good space, a beautiful space, maybe near a water fountain, you become aware of the shadows casting strange images.
There is a sudden consciousness, propelled by beautiful spaces, where you are aware of your inner feelings – that’s when we feel happy and we create.
I think architecture is a backdrop to life.
Al Jazeera: In a previous public lecture, you have referred to the Hindu philosophy of Leela or creation. Could you expand on that?
Doshi: The focus, while creating, is to enhance the subtle nuances of experiences. We breathe in and out but external stimuli makes us shocked, surprised, aroused.
We are not always aware of the skin of our body. But if you are in a space where your senses are heightened, it touches your inner core. That’s what temples do, that’s what mosques do, that’s what grand palaces do.
I have always tried to create images through activities. That’s what architects do.
You will be surprised how our experiences differ as shadows change. The sun and the moon and the breeze breathe life into buildings. Architecture makes you aware of your senses.
Al Jazeera: You are known for pioneering low-cost housing. The Aranya Low Cost Housing project you designed is capable of accommodating more than 80,000 people. Why did you prioritise social housing?
Doshi: I used to walk in the streets of Mumbai in the 1950s. I saw the streets at night full of migrants from across the country, sleeping on the pavements. The images of their night life on the streets is indelible. I thought to myself: Isn’t this part of India? Are they not my people?
I was determined then that one day I will work for this “other half” and show how people can live, how we can build for these people.
What after all is the role of an architect? Is he supposed to build only monuments? Is he supposed to work only for clients? Is social consciousness not part of the architect’s duty?
That’s what I took as my challenge.
Al Jazeera: Tell us a bit about your childhood and when your interest in architecture began.
Doshi: Since childhood, while going through day to day activities like playing on the streets, walking to the market, meeting people, I realised that life means gathering, rejoicing.
Work happens in between. I studied outside in the [open] spaces, not in the classroom.
When I was an eight- or nine-year-old boy, I used to visit my grandfather’s furniture workshop. I was aware of structures and spaces.
Later I became involved in urban planning and industrial townships.
I feel architects are not conscious of their social responsibility. We see buildings as a product.
We make a building as a transaction between myself and the client and my skill. But this is not the right approach.
So I thought of setting up a school where good architects will be nurtured.
Also, I continued with my passion for working in low-cost housing.
Al Jazeera: What would you say defines modern architecture?
Doshi: I would use the word contemporary. If I am staying in a mud house but using a mobile phone, would that be modern or old? These are nomenclatures but everything we do is contemporary.
For me, modern architecture is both today and tomorrow because it is continuously used and is workable.
Al Jazeera: What is the significance of this award?
Doshi: This award means a lot to me. It is so overwhelming. It’s a great honour for me and India.
This award has many ramifications. I was thinking, maybe with the Pritzker Architecture Prize now, India and Indian professionals, practitioners and architecture schools will become more hopeful.
It’s encouragement to work passionately; it’s another mode of joy and recognition. If this award spurs others to emulate the architectural spirit, that would be great.
This award also encourages me for other reasons: how it will trigger the imagination, how it will help in creating a diverse mind.
I am hopeful the [Indian] government will start looking at architecture in a different light. Even [Indian] developers might start thinking on these lines.