The 21st Hk International Film & TV Marketplace (FILMART), organized by the Hong Kong Business Development Council (HKTDC), ended these days. The four-day event is a leading trading platform for the Asia’ t entertainment industry. This year’ s i9000 fair attracted more than 8, 1000 visitors, up nine percent through last year.
Among the website visitors who attended this year’ h FILMART, participation from Asia went up significantly, with the Chinese mainland, Philippines and Cambodia recording double-digit development.
This year’ t FILMART featured the latest productions greater than 800 exhibitors from 35 nations and regions. Chinese mainland and several overseas exhibitors also set up booths to promote their local entertainment shows, including the United States, the United Kingdom, Canada, europe, Korea, Japan, Singapore, the Philippines, India and Vietnam.
An ideal trading platform featuring worldwide buyers and latest productions
FILMART has long been an important system for local entertainment companies to produce new productions and announce advancement strategies. This year’ s FILMART featured more than 70 special events, which includes thematic seminars, press conferences plus networking events. There were also some forty world and international premieres. Along with such film companies as Chief Entertainment Group, Sun Entertainment Lifestyle Ltd., Universe and Shaw Siblings announcing their latest projects, TVBI and Fantastic Television Ltd furthermore unveiled the line-up of programs.
FILMART is an important marketing platform and one that has facilitated many successful collaborations. Asian film plus TV productions were the focus amongst international buyers this year. The Thailänder delegation promoted “ Content Thailand” at this year’ s FILMART plus concluded more than 10 deals with businesses from the US and Korea throughout the four-day exhibition. The delegation had been pleased with the results and is considering growing their participation next year. Chinese landmass exhibitor Zhejiang Dream Stardom Movie and TV Culture Co. Limited. has been taking part in FILMART for many years. With this year’ s show, the company effectively sold the first and second months of a Chinese TV series to a purchaser from Southeast Asia. With so many online business offerings, a Dream Stardom representative stated they would be returning to the reasonable next year.
The Cambodia Film Commission also led the delegation of local entertainment businesses to exhibit at FILMART. One of the businesses, Kongchak Pictures, reached a handle a Korean buyer for a movie and also started negotiations with purchasers from the US, Canada, Malaysia plus Thailand.
Leading suppliers share insights
FILMART featured an extraordinary line-up of more than seventy speakers, including leading industry associates from the film, digital entertainment, computer animation and other sectors to share their sights and insights. A total of twelve seminars were organised or co-organised by HKTDC, attracting over three or more, 000 attendees.
Documentaries were one of the focus areas of this particular year’ s FILMART. The viewers raised many questions during the workshop titled “ Opportunity for Documentaries within Asia”. Ruby Yang, winner from the Academy Award for Documentary (Short Subject), shared her experience on the seminar. She said buyers often prefer productions about universal topics.
Also speaking on the seminar was Takahiro Hamano, Older Producer (Content Development Center, Development Department) of Japan’ s NHK. He said pan-Asian collaboration tasks are becoming common; and if the company directors could capture promotion opportunities plus present well-established stories, finding funds should not be too difficult.
Jeong Joong Kim, Director associated with Acquisition and Chief Producer through Korea’ s KBS, emphasised the significance of local perspectives. He said Korean audiences favour international stories having a Korean view point.
Andrew Hevia, co-producer of the most recent Academy Award winner for Best Image Moonlight, also stressed the importance of identification. He said the success of Moonlight is certainly its ability to tell a specific tale for a specific audience, narrating the storyplot in an unexpected but down-to-earth method and focusing on ideas.
The Digital Entertainment Summit reveal movie content and visual results. Speakers pointed out that special effects companies within Asia are already quite advanced within the techniques that they use, and therefore ought to place more attention on improving content. At the Digital Entertainment Peak, Genki Kawamura, producer of Confessions and the hit anime Your Title, said that he joined the movie industry because he was inspired simply by Steven Spielberg’ s E. Capital t. He said the film’ s i9000 successful use of visual, audio plus story-telling elements also inspired their own productions.
Daniel Child, Head of VFX Division associated with Digitalidea, the post production firm behind Korean productions Train In order to Busan and Goblin: The Lonesome and Great God, said Chinese language filmmakers are highly creative, and also have a passion for fantastical functions. They also possess advanced technical abilities. Felix Xu, CEO, Illumina Technologies said that low budgets motivated these to experiment with more technologies to cope with various challenges, enhance efficiency and reduce manufacturing time.
The Hk International Film and TV Marketplace (FILMART) is a founding event associated with Entertainment Expo, Hong Kong, and is amongst one of the expo’ s 10 occasions. Entering its 13th edition, the particular expo is running from thirteen March to 25 April and it is featuring 10 spectacular events, which includes three founding events and 7 core events. The three founding occasions are: the Hong Kong International Movie and TV Market (FILMART), the particular Hong Kong International Film Festival (HKIFF) and the Hong Kong Film Awards Demonstration Ceremony (HKFA); while the seven primary events are: the Hong Kong-Asia Film Financing Forum (HAF), the particular Hong Kong Asian-Pop Music Festival (HKAMF), the IFPI Hong Kong Top Product sales Music Award, ifva (Incubator just for Film & Visual Media within Asia Festival), the Asian VFX and Digital Cinema Summit, the particular Digital Entertainment Summit and TELEVISION World International Forum.
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